Bara Gwin est un phénomène inhabituel dans le monde de
la musique bretonne. Depuis la musique bretonne n'est pas bien connu en Amérique, les quelques groupes qui font l'exécuter normalement le faire comme un bibelot. Bara Gwin effectue la musique au sérieux, avec des arrangements sophistiqués et puissants. Nous pensons que la musique bretonne est aussi importante et distincte que bien d'autres genres musicaux d'intérêt universel comme le rock ou jazz.
If you’d like to contact us press the button to the right:
Facebook is absurd but we maintain a page:
SONA GREENBERG
ABOUT US / AR STROLLAD
Bara Gwin performs Breton music at full tempo and full volume, with daring and imagination. We believe that Fest Noz music is as significant and distinctive as other great musical genres of universal appeal such as tango or jazz.
‘Bara Gwin’ is a Breton term for ‘food and drink’ that gave rise to the French word ‘baragouin’. Baragouin, originally a contemptuous reference to Breton, means in French: outlandish unintelligible speech, incomprehensible language, gibberish.
RON REED
DANIEL CASADO
Ur strollad divoas eo Bara Gwin e bed sonerezh Breizh.
O vezañ ma n’eo ket gwall vrudet muzik Breizh en Amerika, ne vez sonet alies gant an nebeud strolladoù a oar anezhañ. Un dra sirius eo ar muzik-se evit Bara Gwin, ha kempenn a ra e donioù gant soutilded ha nerzh. Soñjal a ra dimp ez eo ken pouezus ha ken difer sonerezh Breizh evel un tamm mat a stiloù sonerezh a blij d’ar bed a-bezh, evel an rock pe ar jazz.
is a musical group based in Seattle, WA
that presents a bold, imaginative take on contemporary
Fest Noz (Night Party) music from Brittany, France.
The group uses powerful instrumentation, complex arrangements and a generous serving of original material - adding jazz, rock, blues, and other spices to the Breton recipe.
NEWS / NEVEZIOÙ
Back in the studio - We're wrapping up the primary recording for our long-delayed first CD. One of the last tracks, 'Origin of the Species', is one of the oldest pieces that we still play and features an expanded lineup. We still need a trumpet player. Anyone know a good trumpet player in Seattle? Aside from a willingness to do it, you have to be able to, you know, play... the standards for intonation etc are 'not low' on this recording! Interested parties can message us via the Contact page, button to the lower left.
Recruitment Drive:
We’re very interested in expanding the band! To do that we’d have to, you know, add more people.
We/you are: a solid musician, stable, enjoy collaborating in a friendly and respectful environment, willing to practice and rehearse on a regular basis, interested in performing and recording, fully vaccinated against COVID 19, politically progressive. Both jazz and rock chops are a plus! We have a unique sound derived from a deep immersion in this genre and infuse complex compositions with diverse influences while remaining 101% true to the Breton core.
What instruments: trumpet, drum-kit, sax, violin, electric guitar, cello, bass,, etc…
Pros: sophisticated and evocative music, nice, dedicated people, stable band situation.
Cons: Not easy to play, requires work, doesn’t particularly pay.
MUSIC / SONEREZH
Samples from unmixed, test recording sessions.
Take 6 - Laridenn 6 temps
An Deiziou Kaer - Hanter Dro
Kerzh Ba’n’ Dañs - Andro
Percolateur - Ronds de Landéda
SONA GREENBERG
Sona (Chromatic Accordion) spent years as a jazz pianist and symphonic oboe player but found the accordion in her group The Splendour Girls. Her musicianship and phenomenal talent with composition and arrangement are essential ingredients in our sound.
RON REED
Ron (Woodwinds) is a bombard (Breton oboe) player with a sound inspired by masters such as Youenn Le Bihan, Christian Faucheur, and Jean-Claude Petit, but has also focused on the tarogato, a modern single-reed instrument originally from eastern Europe.